Some artworks draw you in through a recognizable landscape or figure. Others hold your attention through color, surface, movement, or a restrained monochrome palette. Pezhman Studios brings these possibilities together in seven contemporary art series shaped by Pezhman’s background in photography and mixed media.

Scapes, Phoria, Boudoir, Aqueous, Abstract, Color, and Black & White provide distinct entry points into the portfolio. Their organization lets you begin with the subject, atmosphere, palette, or visual energy you want to introduce into your space.

Scapes Connects Photography With Place

Pezhman began his artistic practice as a photographer, capturing destination landscapes and exploring the contrast between natural and urban environments. Scapes brings that attention to place into mixed-media compositions, making it a natural starting point if environmental imagery draws you into a work.

The series can complement spaces where you want the artwork to create a sense of openness, memory, or connection to a particular kind of setting. Its mixed-media focus also carries the landscape beyond a straightforward photographic presentation, giving the image a more tactile presence.

Phoria Builds Depth Around the Figure

Phoria is identified as the Euphoria Series and brings figurative photography into Pezhman’s layered mixed-media practice. Deconstructed and transferred images, dimensional overlays, and encaustic layers give the work a sculptural quality that changes as you view it from different positions.

This series gives you a route into contemporary figurative art that is grounded in both image and surface. The human figure provides the visual anchor, while texture and layering create the physical character that distinguishes the work from a conventional photographic print.

Boudoir Centers Intimate Portraiture

Boudoir also brings the figure forward, but its focus is intimate portraiture created through multi-layered emulsion transfer. The series draws attention to expression, posture, and presentation while allowing the transfer process to become part of the finished image.